Ingmar Bergman

Det är i början av 1900-talet. I en liten svensk stad får vi följa familjen Ekdahl som domineras av en rik och begåvad änka samt hennes tre söner. Oscar driver tillsammans med sin fru Emelie den lokala teatern. Paret har också två barn: Fanny och Alexander. Då Oscar drabbas av en tidig död, gifter sig hans änka med biskopen i staden och flyttar med barnen till hans spartanska och stränga hem. Ett helt nytt liv väntar Fanny och Alexander, och vi får följa dem och den övriga familjen genom sorg och glädje, ljus och mörker i Bergmans hyllade film. Fanny och Alexander är filmen som tog världen med storm. Den har vunnit otaliga priser som Oscar, Golden Globes, Guldbaggar, BAFTA Awards och pris vid filmfestivalen i Venedig.<br/><br/>Boxen innehåller filmen och tv-serien i fyra delar. Materialet är digitalt restaurerat.

<b>OBS! Import.</b> Kontrollera att språk och textning passar dig.<br/><br/>Classic Swedish drama written and directed by Ingmar Bergman. The film charts the journey of 78-year-old professor Isak Borg (Victor Sjöström) as he travels to his alma mater, where he is to receive an honorary degree. Accompanied by his daughter-in-law, Marianne (Ingrid Thulin) who is travelling to meet her estranged husband, Isak finds himself the subject of unsettling visions from his past, recalling lost loves and his own failed marriage. As the pair are interrupted by a youthful love triangle and a feuding older couple Isak is forced to confront his own loneliness, and the possibility that his life has been wasted.<br/><br/><i>Typ: Blu-ray</i>

Monika (Andersson) och Harry (Ekborg) flyr tristessen i sina hem och på arbetsplatsen och tillbringar en kort sommar av lycka i skärgården. Monika blir med barn och när de återvänder till stan gifter de sig. Deras heta kärlek från sommarens sorglösa månader utsätts för påfrestningar när vardagslivet tränger sig på.

<b>OBS! Import.</b> Kontrollera att språk och textning passar dig.<br/><br/>The third part of Ingmar Bergman's trilogy of faith (the others are 'Winter Light' in 1961 and 'Through the Glass Lightly' in 1963). The relationship of two sisters Ester (Ingrid Thulin) and Anna (Gunnel Lindblom) reaches breaking point when they arrive in a strange country and stay in a large hotel, empty but for a troupe of dwarf entertainers. Ester is suffering from a terminal disease and has become overly protective of Anna and, to escape, Anna goes out to find a man and ends up bringing back a waiter to her room. This then proceeds to both arouse and anger Ester culminating in a bitter and violent argument between the sisters.<br/><br/><i>Typ: DVD</i>

Stig och Märta är ett ung par som spelar i samma orkester. Han är ambitiös och idealistisk, medan hon är mer tankfull och dyster.

<b>OBS! Import.</b> Kontrollera att språk och textning passar dig.<br/><br/>Ingmar Bergman's stark look at faith is the second part of a trilogy with 'Through a Glass Darkly' (1961) and 'The Silence' (1963). A pastor (Gunnar Bjornstrand) who seems to have lost his faith after his wife's death finds himself unable to give spiritual reassurance to a local fisherman (Max von Sydow), whose wife Marta (Ingrid Thulin) has long been in love with the pastor. As the pastor deals with his own demons and the (to him repulsive) advances of Marta he finds that God may still have some hold over him.<br/><br/><i>Typ: DVD</i>

<b>OBS! Import.</b> Kontrollera att språk och textning passar dig.<br/><br/>Ingmar Bergman's drama-about-a-drama, originally made for Swedish television in 1969, asks questions about obscenity, censorship and the role of the artist. Three actors from a theatre troupe that has had its latest production, 'The Rite', banned after being charged with obscenity are each interrogated privately by a provincial magistrate. The trio are incestuously involved: Thea (Ingrid Thulin) is married to Hans (Gunnar Björnstrand) but is having an affair with Sebastian (Anders Ek), who killed her former husband in a crime of passion. The judge, playing on the insecurities and vanity of the three actors, brings to light their deepest, darkest secrets. Bergman deliberately does not reveal the obscene nature of the troupe's production, leaving the viewer to imagine for themselves what they consider obscenity to be.<br/><br/><i>Typ: DVD / Widescreen</i>