UNI

DISC ONE<br/>WHEELS OF FIRE: IN THE STUDIO (2026 REMASTER)<br/>1968 Originally Released CSG Encoded Version<br/><br/>1 WHITE ROOM 4:59<br/>2 SITTING ON TOP OF THE WORLD 4:59<br/>3 PASSING THE TIME 4:33<br/>4 AS YOU SAID 4:22<br/>5 PRESSED RAT AND WARTHOG 3:15<br/>6 POLITICIAN 4:14<br/>7 THOSE WERE THE DAYS 2:55<br/>8 BORN UNDER A BAD SIGN 3:11<br/>9 DESERTED CITIES OF THE HEART 3:42<br/><br/>WHEELS OF FIRE: IN THE STUDIO (PHASE CORRECTED 2026 REMASTER)<br/>Previously Unreleased Phase Corrected (de-CSG'd) Version<br/><br/>A special, newly remastered stereo version of the 9-track studio portion of WHEELS OF FIRE. Originally released in 1968 utilising CSG-processed recordings, this newly remastered, de-CSG'd version now presents the album phase-corrected, with more detail and a crisp soundstage.<br/><br/>10 WHITE ROOM 4:59 +<br/>11 SITTING ON TOP OF THE WORLD 4:59 +<br/>12 PASSING THE TIME 4:32 +<br/>13 AS YOU SAID 4:22 +<br/>14 PRESSED RAT AND WARTHOG 3:15 +<br/>15 POLITICIAN 4:14 +<br/>16 THOSE WERE THE DAYS 2:55 +<br/>17 BORN UNDER A BAD SIGN 3:11 +<br/>18 DESERTED CITIES OF THE HEART 3:40 +<br/><br/>DISC TWO<br/>WHEELS OF FIRE: IN THE STUDIO (STEREO REFERENCE REELS)<br/>Previously Unreleased Stereo Tapes<br/>+ Previously Unreleased<br/><br/>1 WHITE ROOM 4:59 +<br/>2 SITTING ON TOP OF THE WORLD 4:55 +<br/>3 PASSING THE TIME (LONG VERSION) 5:50 +<br/>4 AS YOU SAID 4:16 +<br/>5 PRESSED RAT AND WARTHOG (WITH SPOKEN INTRO) 3:16 +<br/>6 POLITICIAN 4:10 +<br/>7 THOSE WERE THE DAYS 2:54 +<br/>8 BORN UNDER A BAD SIGN 3:08 +<br/>9 DESERTED CITIES OF THE HEART 3:36 +<br/><br/>WHEELS OF FIRE: IN THE STUDIO (MONO REFERENCE REELS)<br/>Previously Unreleased Mono Tapes<br/>+ Previously Unreleased<br/><br/>10 WHITE ROOM 4:59 +<br/>11 SITTING ON TOP OF THE WORLD 4:57 +<br/>12 PASSING THE TIME (LONG VERSION) 5:50 +<br/>13 AS YOU SAID 4:18 +<br/>14 PRESSED RAT AND WARTHOG (WITH SPOKEN INTRO) 3:15 +<br/>15 POLITICIAN 4:11 +<br/>16 THOSE WERE THE DAYS 2:54 +<br/>17 BORN UNDER A BAD SIGN 3:10 +<br/>18 DESERTED CITIES OF THE HEART 3:39 +<br/><br/>These newly remastered mono & stereo versions of the studio album, sourced from the late Cream producer Felix Pappalardi's personal reference reels, have never been issued before. Among the 9 stereo and 9 mono mixes are many alternate mixes.<br/><br/>DISC THREE<br/>WHEELS OF FIRE: LIVE AT THE FILLMORE AUDITORIUM & WINTERLAND BALLROOM <br/>(2026 REMASTER)<br/><br/>1 CROSSROADS 4:16<br/>2 SPOONFUL 16:48<br/>3 TRAINTIME 7:02<br/>4 TOAD 16:16<br/><br/>DISC FOUR<br/>WHEELS OF FIRE: MORE LIVE AT THE FILLMORE AUDITORIUM & WINTERLAND BALLROOM (2026 REMASTER)<br/>+ Previously Unreleased<br/><br/>1 N.S.U. 10:15<br/>2 SLEEPY TIME TIME 6:51<br/>3 ROLLIN' AND TUMBLIN' 6:45<br/>4 SWEET WINE 15:18<br/>5 TALES OF BRAVE ULYSSES 4:45<br/>6 WE'RE GOING WRONG 6:55 +<br/>7 SUNSHINE OF YOUR LOVE 7:25<br/>8 STEPPIN' OUT 13:41<br/><br/>Features 8 additional tracks performed at the March 1968 concerts. Seven of the additional tracks were issued on LIVE CREAM in 1970 and LIVE CREAM VOLUME 2 in 1972. WE'RE GOING WRONG has never been officially released before and was recorded on 10 March 1968 at Winterland Ballroom.<br/><br/>DISC FIVE<br/>WHEELS OF FIRE: RARITIES (2026 REMASTER)<br/>Early Versions, Alternate Mixes, Single Versions and Live Recordings<br/>+ Previously Unreleased<br/><br/>1 WHITE ROOM (STEREO US SINGLE EDIT) 3:05<br/>2 SITTING ON TOP OF THE WORLD (ALTERNATE STEREO MIX) 4:57 +<br/>3 PASSING THE TIME (ALTERNATE LONG STEREO MIX) 5:51 +<br/>4 AS YOU SAID (ALTERNATE STEREO MIX) 4:19 +<br/>5 PRESSED RAT AND WARTHOG (ALTERNATE STEREO MIX) 3:10 +<br/>6 POLITICIAN (ALTERNATE STEREO MIX) 4:11 +<br/>7 ANYONE FOR TENNIS (STEREO SINGLE MIX) 2:39<br/>8 WHITE ROOM (EARLY VERSION MONO MIX) 4:29 +<br/>9 DESERTED CITIES OF THE HEART (ROUGH MONO MIX / NO STRINGS) 3:37 +<br/>10 PRESSED RAT AND WARTHOG (ALTERNATE MONO MIX) 3:14 +<br/>11 AS YOU SAID (ALTERNATE MONO MIX) 4:21 +<br/>12 ANYONE FOR TENNIS (MONO SINGLE MIX) 2:39<br/>13 CROSSROADS (MONO SINGLE VERSION) 4:16<br/>14 N.S.U. (recorded 9 March 1968 at Winterland Ballroom) 12:38<br/>15 SUNSHINE OF YOUR LOVE (recorded 7 March 1968 at The Fillmore Auditorium) 6:58<br/><br/>A newly compiled RARITIES collection featuring 15 rare recordings (9 unreleased) of early versions, alternate mixes and single versions. Highlights of this collection are WHITE ROOM (EARLY VERSION MONO MIX), DESERTED CITIES OF THE HEART (MONO ROUGH MIX / NO STRINGS), CROSSROADS (MONO SINGLE VERSION), as well as 7 other alternate stereo and mono mixes, 3 single versions and 2 rare live recordings.<br/><br/>The 5CD box includes a hardcover book featuring sleeve notes by Jim Faber and photographs of Cream from that period. The CDs are housed in a gatefold sleeve, and together with the book, they are enclosed within a 10"x10" rigid slipcase with a silver lamination finish.

Metallica: Reload (Yellow/Remastered 2025) [2 Vinyl LP]

Eurovision Song Contest Vienna 2026 [Gatefold / 3 Vinyl LP]

För första gången sedan 2005 bjuds vi på nyskrivet Stones-material! Det känns som om man inte nog kan prisa Stones betydelse inom rocken, de låtar de skrivit och deras fortfarande så energiska konserter. <br/><br/>Mick Jagger är och förblir den ultimate frontmannen; det finns ingen som äger en scen som Sir Mick. Ronnie Wood med sitt sneda leende och perfekta kompande. Och så den största av dom alla... Keefan! Det finns liksom ingen coolare än Keith Richards, alla kategorier. Den avlidne <br/>Charlie Watts finns också med på ett hörn, han spelar på två av spåren på detta album.

REMASTERING THE BEATLES' ORIGINAL STUDIO ALBUMS FOR VINYL.<br/>180 gram. <br/><br/>There has always been demand for The Beatles' albums on vinyl. Indeed, 2011's best-selling vinyl LP in the United States was Abbey Road. Following the success of The Beatles' acclaimed, GRAMMY Award-winning 2009 CD remasters, it was decided that the sound experts at EMI's Abbey Road Studios should create new versions of The Beatles' vinyl LPs. The project demanded the same meticulous approach taken for the CD releases, and the brief was a simple one: cut the digital remasters to vinyl with an absolute minimum of compromise to the sound. However, the process involved to do that was far from simple.<br/><br/>The first stage in transferring the sound of a master recording to vinyl is the creation of a disc to be used during vinyl manufacture. There were two options to consider. A Direct Metal Master (DMM), developed in the late seventies, allows sound to be cut directly into a stainless steel disc coated with a hard copper alloy. The older, alternative method is to cut the sound into the soft lacquer coating on a nickel disc - the first of several steps leading to the production of a stamper to press the vinyl. <br/><br/>A 'blind' listening test was arranged to choose between a 'lacquer' or 'copper' cut. Using both methods, A Hard Day's Night was pressed with ten seconds of silence at the beginning and end of each side. This allowed not only the reproduction of the music to be assessed, but also the noise made by the vinyl itself. After much discussion, two factors swung the decision towards using the lacquer process. First, it was judged to create a warmer sound than a DMM. Secondly, there was a practical advantage of having 'blank' discs of a consistent quality when cutting lacquers. <br/><br/>The next step was to use the Neumann VMS80 cutting lathe at Abbey Road. Following thorough mechanical and electrical tests to ensure it was operating in peak condition, engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was also decided to use the remasters that had not undergone 'limiting' - a procedure to increase the sound level, which is deemed necessary for most current pop CDs. <br/><br/>Having made initial test cuts, Magee pinpointed any sound problems that can occur during playback of vinyl records. To rectify them, changes were made to the remasters with a Digital Audio Workstation. For example, each vinyl album was listened to for any 'sibilant episodes' - vocal distortion that can occur on consonant sounds such as S and T. These were corrected by reducing the level in the very small portion of sound causing the undesired effect. Similarly, any likelihood of 'inner-groove distortion' was addressed. As the stylus approaches the centre of the record, it is liable to track the groove less accurately. This can affect the high-middle frequencies, producing a 'mushy' sound particularly noticeable on vocals. Using what Magee has described as 'surgical EQ,' problem frequencies were identified and reduced in level to compensate for this.<br/><br/>The last phase of the vinyl mastering process began with the arrival of the first batches of test pressings made from master lacquers that had been sent to the two pressing plant factories. Stringent quality tests identified any noise or click appearing on more than one test pressing in the same place. If this happened, it was clear that the undesired sounds had been introduced either during the cutting or the pressing stage and so the test records were rejected. In the quest to achieve the highest quality possible, the Abbey Road team worked closely with the pressing factories and the manufacturers of the lacquer and cutting styli.<br/><br/>An additional and unusual challenge was to ensure the proper playback of the sounds embedded in the 'lock-groove' at the end of side two of Sgt. Pepper's Lonely Hearts Club Band. Requiring a combination of good timing and luck, it had always been a lengthy and costly process to make it work properly. In fact, it was so tricky, it had never been attempted for American pressings of the LP. Naturally, Sean Magee and the team perfected this and the garbled message is heard as originally intended on the remastered Sgt. Pepper LP. <br/><br/>Highly-skilled technicians have worked long and hard to make The Beatles on vinyl sound better than ever. All we need to do is listen to the results of their dedicated labour on the remastered LPs. Handle with care. But most of all, enjoy the music.

Efter den firade specialutgåvan av "Sgt Pepper" är det nu dags för nästa Beatlesklassiker att bli rejält uppgraderad: 50-årsfirande "The Beatles" - mest känd som "The White Album", bandets kanske mest utmanande och omdiskuterade platta. På fyra sidor presenterade gruppen hårdför rock, vackra ballader, ljudcollage och tidlösa popklassiker. "Vi gav oss ut i helt nya riktningar utan karta", enligt Paul McCartney. Den nya specialutgåvan, som släpps i olika format, är ett himmelrike för alla beundrare av Beatles enastående musikkonst. <br/><br/>"This is the first time The BEATLES ('White Album') has been remixed, presented here as a 2LP 180-gram black vinyl set. To create the new stereo audio mixes for 'The White Album,' Giles Martin and Sam Okell worked with an expert team of engineers and audio restoration specialists at Abbey Road Studios in London. This 2LP 'White Album' release includes Martin's new stereo album mix, sourced directly from the original four-track and eight-track session tapes. Martin's new mix is guided by the album's original stereo mix produced by his father, George Martin. Half-speed cut by Miles Showell at Abbey Road Studios".<br/><br/>180-gram 2LP vinyl set featuring the new stereo album mix. Packaging faithful to the original album.

Kahan Noah: The great divide (American rust) [Gatefold / 2 Vinyl LP]