Don Giovanni

LSD and the Search for God: LSD and the Search.. [CD]

Han, Camae, skapar sin musik med sina maskiner, sin röst, field recordings, och resultatet är en smått aktivistisk politisk musik som är lika mycket friform som pop och Sun Ra. En slags lofi<br/>man aldrig hört kanske, med punkens attityd.

Out November 8th on Don Giovanni Records, Analog Fluids of Sonic Black Holes is a new full-length by Philadelphia-based artist, poet, and musician, Camae Ayewa, who performs under the name Moor Mother. A sonic black hole is a place where fluid moves so fast that it traps all sound. To be entangled in its gravity is to feel the pressure of an unjust system -- corruption so powerful that it drowns out whatever you throw at it. Analog fluids are resistance -- individuals who work to create and preserve community in the face of immense darkness and cosmic pressure. Begun in 2017 as a sonic counterpart to Ayewa&#039;s art show at New York performance space, The Kitchen, Analog Fluids was refined through exhaustive touring. It tracks Ayewa&#039;s emergence into an expanded artistic ecosystem, with contributions from a distinctive set of friends and collaborators like Justin Broadrick (Godflesh, Zonal), King Britt, Saul Williams, Giant Swan, and Bookworms

Waxahatchee: Cerulean salt 2013 [CD]

Poet and noise musician Camae Ayewa (Moor Mother) presents her first theatrical work, a futuristic explorationâ_"part musical, part choreopoem, part playâ_"of public/private ownership, housing, and technology set in a living room in a corporate-owned apartment complex. Framed by Ayewaâ_(tm)s bold poetry and bolstered by new Moor Mother music performed live by Irreversible Entanglements and the Circuit City Band, Circuit City is an afrofuturist song cycle for our current climate.

Bains, Lee + the Glory Fires: Old-Time Folks [CD]

"Some people think this record is unlistenable, while others consider this one of the key documents of the American music underground" - Byron Coley The year 1967 proved to be a strong point of the '60s generation culture and the ever growing New York underground music scene. Steve Weber and Peter Stampfel provided a blithe sendup of musical Americana as they mined this tradition, while introducing outrageous and zany virtuoso turns on acoustic guitar, banjo and violin. Their lyrics and vocals are uniquely their own. Their personalities were profoundly incompatible, like those of Gilbert and Sullivan.