Engelska

Richard can't stop thinking about the clock. He lies in bed each night listening to its tick-tocking, to the pendulum's heavy swing. Why does his granddad open its old doors in secret and walk into the darkness beyond? One night, too inquisitive to sleep, Richard tiptoes from his bed, opens the cherry wood doors, and steps inside . . .

A daring, category-confounding and ruthlessly funny novel from Edmund White, exploring polyamory and bisexuality, ageing and love. Sicilian aristocrat and musician Ruggero, and his younger American wife, Constance, agree to break their marital silence and write their Confessions. Until now they had a ban on speaking about the past, since transparency had wrecked their previous marriages. As the two take turns reading the memoirs they've written about their lives, Constance reveals her multiple marriages to older men, and Ruggero details the affairs he's had with men and women across his lifetime - most importantly his passionate affair with the author Edmund White. <br/><br/>A searing, scintillating take on physical beauty and its inevitable decline, A Previous Life pushes for a broader understanding of sexual orientation and explores the themes of love and age through numerous eyes, hearts and minds. Delightful, irreverent, and experimental, A Previous Life proves once more why White is considered a master of American literature.

'Devil-may-care daring and biting humour . . . Think Rachel Cusk's autofiction on skunk and OxyContin and you're in the right ballpark' The Times 'Enjoyably mischievous and daring' Financial Times 'Ruthless, very funny' New York Times Mona is a Peruvian writer based on a Californian campus, open-eyed and sardonic, a connoisseur of marijuana and prescription pills. In the humanities she has discovered she is something of an anthropological curiosity - a female writer of colour treasured for the flourish of rarefied diversity that reflects so well upon her department. When she is nominated for 'the most important literary award in Europe', Mona sees a chance to escape her sunlit substance abuse and erotic distraction, and leaves for a small village in Sweden. Now she is stuck in the company of her competitors, who arrive from Japan, France, Armenia, Iran and Colombia. The writers do what writers do: exchange flattery, nurse envy and private resentments, stab rivals in the back and go to bed together. But all the while, Mona keeps stumbling across traces of violence on her body, the origins of which she can't - or won't - remember.

'A very funny and brilliant book. Feigel does a thorough and virtuosic job of describing the dilemmas of contemporary middle-class women' Rachel CuskThe five of them - Stella, Priss, Kay, Helena and Polly - met at university, their lives full of lazy afternoons and late nights. Friendship seemed simple and there was such pleasure in the endless talk and in just living alongside each other. <br/><br/>Now the women are turning forty and they're finding that a shared past can sometimes be a burden. They're all struggling to navigate the ways in which their lives have differed from the plans they made themselves and the hopes they had for each other. In the past, solidarity came easily, but now they compare lovers, husbands, jobs, children and sofas, asking how the choices they've made or failed to make hold up. <br/><br/>As marriages end and secrets emerge, they wonder whether these people, the ones who know so much about them, are really the ones they can confide in.

New York Times bestselling author of Fire and Fury and Siege completes the trilogy on the epic presidency of Donald J. Trump With Fire and Fury Wolff defined the first phase of the Trump administration; in Siege he wrote an explosive account of a presidency under fire. In Landslide Wolff closes the story of Trump's four years in office and his tumultuous last months at the helm of the country, based on Wolff's extraordinary access to White Housee aides and to the former president himself, yielding a wealth of new information and insights about what really happened inside the highest office in the land, and the world.

From America's most beloved superstar and its greatest storyteller-a thriller about a young singer/songwriter on the rise and on the run, and determined to do whatever it takes to survive. Parton will simultaneously release an album of the same name, consisting of twelve original songs she was inspired by the book to write, record, and produce. The novel also includes lyrics to the songs, which are essential to the story. Every song tells a story. She's a star on the rise, singing about the hard life behind her. She's also on the run. Find a future, lose a past. Nashville is where she's come to claim her destiny. It's also where the darkness she's fled might find her. And destroy her.

<b>From the twice Booker-shortlisted author of<i> The Reluctant Fundamentalist </i>and <i>Exit West</i>, a story of love, loss, and rediscovery in a time of unsettling change</b><br/><br/> One morning, Anders wakes to find that his skin has turned dark, his reflection a stranger to him. At first he tells only Oona, an old friend, newly a lover.<br/><br/> Soon, reports of similar occurrences surface across the land. Some see in the transformations the long-dreaded overturning of an established order, to be resisted to a bitter end. In many, like Anders's father and Oona's mother, a sense of profound loss wars with profound love.<br/><br/> As the bond between Anders and Oona deepens, change takes on a different shading: a chance to see one another, face to face, anew.<br/><br/> <b>'A transformative tale . . . [<i>The Last White Man</i>] is compellingly readable and strangely musical, as if being recounted as a kind of folktale to future generations' <i>Guardian</i></b><br/><br/> <b>'With this big-hearted novel of ideas, Mohsin Hamid confronts challenging truths with insight, wisdom, and - above all else - limitless compassion' Tayari Jones, author of <i>An American Marriage<br/> </i></b><br/> <b>'Gorgeously crafted . . . <i>The Last White Man</i> concludes on a note of hope, a door jarred open just enough to let transcendence pour through' <i>O, the Oprah Magazine</i></b>