2012

Kraftful rock med tyngd, fuzzgitarrer, hederligt rocksound - en kommande klassiker? Soundet är ömsom Queens of the Stoneage-igt, för att sedan bli mer retrostoner - eller bara precis så bra som denna genre kan vara! Låtarna lite längre än snittet - Golden Void är här för att stanna!

REMASTERING THE BEATLES' ORIGINAL STUDIO ALBUMS FOR VINYL <br/><br/>180 gram.<br/>There has always been demand for The Beatles' albums on vinyl. Indeed, 2011's best-selling vinyl LP in the United States was Abbey Road. Following the success of The Beatles' acclaimed, GRAMMY Award-winning 2009 CD remasters, it was decided that the sound experts at EMI's Abbey Road Studios should create new versions of The Beatles' vinyl LPs. The project demanded the same meticulous approach taken for the CD releases, and the brief was a simple one: cut the digital remasters to vinyl with an absolute minimum of compromise to the sound. However, the process involved to do that was far from simple.<br/><br/>The first stage in transferring the sound of a master recording to vinyl is the creation of a disc to be used during vinyl manufacture. There were two options to consider. A Direct Metal Master (DMM), developed in the late seventies, allows sound to be cut directly into a stainless steel disc coated with a hard copper alloy. The older, alternative method is to cut the sound into the soft lacquer coating on a nickel disc - the first of several steps leading to the production of a stamper to press the vinyl. <br/><br/>A 'blind' listening test was arranged to choose between a 'lacquer' or 'copper' cut. Using both methods, A Hard Day's Night was pressed with ten seconds of silence at the beginning and end of each side. This allowed not only the reproduction of the music to be assessed, but also the noise made by the vinyl itself. After much discussion, two factors swung the decision towards using the lacquer process. First, it was judged to create a warmer sound than a DMM. Secondly, there was a practical advantage of having 'blank' discs of a consistent quality when cutting lacquers. <br/><br/>The next step was to use the Neumann VMS80 cutting lathe at Abbey Road. Following thorough mechanical and electrical tests to ensure it was operating in peak condition, engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was also decided to use the remasters that had not undergone 'limiting' - a procedure to increase the sound level, which is deemed necessary for most current pop CDs. <br/><br/>Having made initial test cuts, Magee pinpointed any sound problems that can occur during playback of vinyl records. To rectify them, changes were made to the remasters with a Digital Audio Workstation. For example, each vinyl album was listened to for any 'sibilant episodes' - vocal distortion that can occur on consonant sounds such as S and T. These were corrected by reducing the level in the very small portion of sound causing the undesired effect. Similarly, any likelihood of 'inner-groove distortion' was addressed. As the stylus approaches the centre of the record, it is liable to track the groove less accurately. This can affect the high-middle frequencies, producing a 'mushy' sound particularly noticeable on vocals. Using what Magee has described as 'surgical EQ,' problem frequencies were identified and reduced in level to compensate for this.<br/><br/>The last phase of the vinyl mastering process began with the arrival of the first batches of test pressings made from master lacquers that had been sent to the two pressing plant factories. Stringent quality tests identified any noise or click appearing on more than one test pressing in the same place. If this happened, it was clear that the undesired sounds had been introduced either during the cutting or the pressing stage and so the test records were rejected. In the quest to achieve the highest quality possible, the Abbey Road team worked closely with the pressing factories and the manufacturers of the lacquer and cutting styli.<br/><br/>An additional and unusual challenge was to ensure the proper playback of the sounds embedded in the 'lock-groove' at the end of side two of Sgt. Pepper's Lonely Hearts Club Band. Requiring a combination of good timing and luck, it had always been a lengthy and costly process to make it work properly. In fact, it was so tricky, it had never been attempted for American pressings of the LP. Naturally, Sean Magee and the team perfected this and the garbled message is heard as originally intended on the remastered Sgt. Pepper LP. <br/><br/>Highly-skilled technicians have worked long and hard to make The Beatles on vinyl sound better than ever. All we need to do is listen to the results of their dedicated labour on the remastered LPs. Handle with care. But most of all, enjoy the music.

Tame Impala: Lonerism [2 Vinyl LP]

Agent Jay och agent Kay sätter in alla krafter mot några ruskiga rymdskurkar i den mest framgångsrika sci-fi komedin i galaxen. De hamnar mitt i en livsfarlig uppgörelse med en intergalaktisk terrorist som har anlänt till jorden för att lönnmörda två ambassadörer från motstridiga galaxer.

"Unorthodox jukebox" är den 13 x Grammy-nominerade popstjärnan Bruno Mars andra studioalbum. Det är uppföljaren till det mångmiljonsäljande debutalbumet "Doo-Wops & Hooligans" som släpptes i oktober 2010. <br/><br/>Artisten/låtskrivaren/producenten/musikern Bruno Mars- som sålt över 5 miljoner album och 45 miljoner singlar världen över- är utan tvekan en utav vår tids mest begåvade och övertygande nya artister. Det kritikerrosade debutalbumet "Doo-Wops & Hooligans" innehöll en anmärkningsvärd rad av hitsinglar, däribland låtarna "Just The Way You Are" (12 x Platina), "Granade" (10 x Platina), & "The Lazy Song" ( 6 x Platina) .<br/>Albumet, som har certifierats 39 x Platina och sålt i över 5 miljoner exemplar världen över, etablerade Bruno Mars som en viktigt del i den moderna pophistorien.<br/><br/>Genom arbetet med "Unorthodox jukebox " har Bruno Mars återigen lyckats att förmedla sitt egna distinktiva sound. Albumet är producerat av den framgångsrika hitmakar-trion "The Smeezingtons" (Bruno Mars, Philip Lawrence & Ari Levine) som står bakom några av världens största hitlåtar- Cee-Lo Green's "F**k You", Travie McCoy's "Billionaire" och K'NAAN'S- "Waving Flag" (som blev ledmotivet för fotbolls VM 2010.) <br/>Ytterligare några topproducenter såsom Jeff Bhasker (FUN, Kanye West, Jay-Z) Mark Ronson (Amy Winehouse, Lil Wayne, Black Lips) och Diplo (MIA, Usher) har varit med och deltagit i skapandet av albumet.

Med artonhundratalets Frankrike som skådeplats handlar Les Misérables om krossade drömmar och olycklig kärlek, passion, offer och försoning. Jean Valjean jagas sedan årtionden av den hänsynslösa polismannen Javert efter att ha brutit mot sin villkorliga frigivning. När Valjean går med på att ta hand om fabriksarbetaren Fantines unga dotter, Cosette, förändras deras liv för alltid.<br/><br/>Les Misérables är filmversionen av den älskade globala musikal-sensationen som setts av mer än 60 miljoner människor i 42 länder på 21 språk. För regin står Tom Hooper, som tidigare gjort King's Speech. I rollerna ser vi stjärnor som Hugh Jackman, Russell Crowe och Anne Hathaway.

När den iranska revolutionen tar över den amerikanska ambassaden i Teheran lyckas sex amerikaner gömma sig bakom fiendens linjer. I denna thriller baserad på en sann historia har CIA-agenten Tony Mendez en desperat plan för att rädda dem. Han utger sig för att vara producent och försöker smuggla ut amerikanerna som en del av ett filmteam. Oscar®-belönade* Ben Affleck regisserar och spelar tillsammans med Bryan Cranston, John Goodman och Alan Arkin.