2016

Solid Gold Rock'n'Roll [Digipack / 3 CD]

Madness: Can't touch us now 2016 [CD]

King Ben E & The Drifters: Absolutely essential [Digipack / 3 CD]

Oscar Pierrou Lindén, Andreas Weise, Stefan Sauk, Snorre Ryen Tøndel, Lars Humble, Tuva B Larsen, Åsa Fång m.fl.<br/><br/>Kinky Boots Ensemble, Malmö Operaorkester & Malmö Operakör<br/><br/>"Konst kan vara ett kraftfullt vapen mot fördomar. Även när den som musikal vill underhålla, ja, blända sin publik. Kinky Boots är en musikal som handlar om respekt. Om att acceptera andras livsval. Alla andras livsval. Inte bara dem vi själva förstår. Det är en respekt vi alla måste visa. Det är en respekt vi alla har rätt att kräva. Kanske kan Kinky Boots hjälpa oss att inse det." - Bengt Hall, Teaterchef Malmö Opera<br/><br/>"En flärdfullt glittrande smällkaramell med det ena slagkraftiga shownumret efter det andra" <br/>- David Richter, Sveriges Radio<br/><br/>Baserad på Miramax spelfilm Kinky Boots av: Geoff Deane & Tim Firth<br/>Text: Harvey Fierstein<br/>Musik & sångtexter: Cyndi Lauper<br/><br/>NORDISK PREMIÄR: 3 september 2016, Malmö Opera<br/><br/>URUPPFÖRD: 2 oktober 2012 Bank of America Theatre, Chicago Broadwaypremiär 3 mars 2013, Al Hirschfeld Theatre, New York.

20th anniversary edition.

Now That's What I Call Rock [CD]

Love plays a significant part in most operas, but all too often it is frustrated, or entangled with deception, humiliation and betrayal. With her new disc Camilla Tilling presents a near-comprehensive catalogue of the emotions that the vagaries of love can raise in the breast of an operatic heroine. And these emotions are universal and timeless, afflicting servants and countesses, Grecian princesses, a sorceress from Damascus and a young lady of 18th-century Naples alike. Gluck's Armide glories in having Renaud in her power - until she realizes that her feelings makes it impossible to destroy him as she had planned. Newly raised from the dead, his Euridice is defenceless against the strong emotions of the living, and beset by doubts when Orpheus refuses to acknowledge her on their way back to earth. In the bravura aria Come scoglio, Mozart's Fiordiligi proclaims her steadfast love for Guglielmo, but in the following act of the opera she regretfully admits to having been enamoured by another. And from The Marriage of Figaro we hear Susanna inviting the loved one to a nocturnal rendez-vous ('Deh vieni, non tardar') as well as her mistress, the Countess, wondering in 'Dove sono' what happened to the loving marriage she once had. With a soprano typically described as 'radiant', 'vernal' or 'silvery', Camilla Tilling has performed several of the roles featured here at venues such as Opéra National de Paris, Covent Garden, Salzburg Mozarteum and Drottningholm Slottsteater. On this recording she partnered by Philipp von Steinaecker and his Musica Saeculorum, whose period instruments bring out all the sweetness, pain and regret that Gluck and Mozart magically worked into their scores.